Portrait of a Lady on Fire (2019) | dir. Céline Sciamma
Lani Ka'ahumanu, co-founder of BiPol (the first bisexual political organization), marches in the San Francisco Lesbian & Gay Freedom Day, June 24, 1984.
in this light,
he looks—his body looks—like a set of instructions I
don’t expectI’ll need. Here’s how to keep what’s good
from spoiling—This is how you paint a sleeping bird.
— Carl Phillips, from “Hymns and Fragments,” The Rest of Love
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The Handmaiden (2016) dir. Park Chan-wook
Hanzi. dir. Mu-Ming Tsai. 2016.
A Latin font consists of about 600 characters at the most but it’s about 10 000 to 20 000 characters for a set of Chinese font
Hanzi is a documentary exploring the link between visual design, culture and Chinese typography. Directed by Mu-Ming Tsai, this film discusses the different perspectives on the transition from traditional Chinese handwriting to modern age digitized typography and how language shapes cultural identity. Hanzi is made in collaboration with filmmakers and creatives from Hong Kong, Taipei, New York and London. It also features interviews with Shaolan, founder of Chineasy; Sammy Or, a Hong Kong based veteran font designer; Ri Xing Type Foundry, the oldest lasting traditional Chinese letterpress type foundry in the world; and Akira Kobayashi, a distinguished Japanese Roman font designer.
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my internet went down when i was trying to make this so i think god was trying to give me a second chance
my life feels like…a bastille song…sounds v upbeat but there are way too many questions and just filled with existential anxiety
Braid.
Narrow Distance by Ka-Man Tse (謝嘉敏). Photography. 2004-2018.
Born in Hong Kong and immigrated to America with her family at a young age, Ka-Man Tse is now a photographer, video artist and educator based in New York. Her works are strongly influenced by her identity as an Asian-American lesbian and deal with the multiple and diasporic identities of Asian and Pacific Islander (API) and LGBTQ communities.
This year, Tse published her first photography book Narrow Distance, in which Tse recasts the queer social landscape in Hong Kong through a series of portraits centering on members of the city’s underground queer community. “Who can claim ownership, who can love or belong”, Tse asks. For more than 10 years, she tried to seek an answer, to look for points of connection, until one day her quest itself became an answer.
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I swear being called baby by a girl has healing abilities
happy birthday to a very special and powerful deity…. baby grinch…






